Wednesday, September 12, 2012

Pennsylvania - Megan's Law

No.1 Article of A Map Of Pennsylvania

Pennsylvania Megan's Law is a federal law that came about in 1996 following the kidnap, rape, and murder of seven-year-old Megan Kanka. The offender turned out to be the girls' neighbor who was a sex offender that had already been convicted twice. As a succeed of this tragedy Megan's Law was brought in to ensure that law obligation agencies in Pennsylvania and all other states notified schools, agencies, and parents of confident sex offenders in the area.

To find out more about the legal aspects of Megan's Law Pennsylvania residents can palpate experienced and expert lawyers in this area. If there has been any violation of Megan's Law Pennsylvania residents affected by this may be entitled to press charges, and an experienced and suited lawyer with expert knowledge of this federal sex offender law will be able to conclude whether you have a case depending on the circumstances.

A Map Of Pennsylvania

This law came about in tragic circumstances, and to avoid this type of tragedy occurring in the future when it comes to Megan's Law Pennsylvania authorities must comply with the regulations and requirements in order to protect the public. If you feel that these requirements and laws have been violated, you should seek assistance and advice from an experienced lawyer as soon as possible. This is a serious issue, and your lawyer will have the knowledge and expertise to cope the matter as speedily and efficiently as possible.

Pennsylvania - Megan's Law

Having a prepaid services plan in place means that you will always have easy access to legal experts in this area, so if you do need advice or assistance in such a matter you can seek the help you need without delay. These services are available for a small monthly premium, and prepaid legal services offer peace of mind and protection to residents of Pennsylvania.

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Tuesday, September 11, 2012

Nude Art

#1. Nude Art

Nude Art

Scandalous! Shocking! Without modesty! Nudity has been portrayed without shame throughout history and has been met with varying commentary depending on the time and culture.

Nude Art

Early Nude Art

Ever since early cave paintings the natural human form has been portrayed in its full unclothed glory. This was just how the artists saw his fellow people, and depending on the region, habitancy wore very diminutive anyway. Since then societies have presented the nude form in paintings, drawing, photography, and any other media. This whether demonstrates humanity's strong sexual nature, or just a propensity for manufacture aesthetically pleasing artwork, or perhaps a compound of the two.

Perhaps no community was more naked in its art than Pompeii. This ancient Roman city would meet its doom at the wrath of Mount Vesuvius when the volcano erupted and wreaked havoc on the city below. The city would be covered and ruined by the lava flow but an 18th century find would search remnants of a forgotten world, together with the remains of many of its inhabitants exactly how they met their fiery demise.

The community shows no sign of bashfulness in its many frescoes and surviving statues. In them you'll find depicted sexual acts, more sex, sex, and just plenty of nudity. Being an ancient Roman city, they often depicted gods and goddesses in their art. The most risque probably being Priapus, the god of fertility. Also of interest are the many statues from early Pompeii, which today may raise a few eyebrows. These are no Michelangelo's "David," if you know what I mean.

Erotica

Further through art history, namely long after the invention of oil painting and when art drifted away from a dominant religious tone, nudity was a base thing. Retouching on the ancient themes, pederasty in Roman mythology in paintings and sculpture, carnal love, and in general sexuality (sometimes not so delicate) were painted time and again. This was perceived commonly as good taste. Of course, that wasn't all the time the general consensus.

In Michelangelo's career, he painted the human form realistically and without apologies. The subtle homo-erotic tones of the Sistene's ceiling probably went straight over the head of the pope and any other religious leader for that matter. The musculature of the male form painted in information and the poses of the many male figures probably would have been omitted from a religious painting. The olives resembling clear parts of anatomy were perhaps there as a joke or subtle reference.

In the case of Caravaggio, his pubescent cupid displayed in "Amor Vincet Omnia" or Love Conquers All , would in these days be met with hostility, and the artist considered a pedophile. But in those days, the nude form young and old was nothing to shy from, and the boy was naturally an additional one model paid to pose. Caravaggio's painting is characteristic of his work, steering clear of the idealized subjects, instead showing a base road boy, crooked teeth and all.

Much modern turn over has come over Amor's former owner holding the painting behind a curtain. While some say that he was embarrassed of the supposed eroticism and kept it hidden, others say that face a painting is meant to keep it as a piece de resistance, to be uncovered only after the rest of the artwork was shown, as the best of show.

Borderline Pornography

It probably wasn't until the 18th and 19th centuries in Europe, particularly Victorian times of the 19th century when nudity in art started to seem inappropriate. In an age when even in the summer one must cover themselves with layer upon layer, and sexual matters altogether were strictly taboo, its no wonder the paintings were more G rated. This isn't to say that the subtle was absent. Take the Fragonard painting The Swing. It was also called "The Happy Accidents of the Swing." Humorously showing a look up a dress, an unquestionable infidelity, and a cupid sculpture with a "hush" gesture all show this French painting's sexual symbolism.

Tame by today's standards, The Swing was quite sultry in its day. Going supplementary into the beginning of the nineteenth century, Goya would make a breakthrough in erotic art and paint the first showing of pubic hair. Take "The Naked Maja" which was the complement to the Clothed Maja. Both paintings are wrapped in mystery, as to who the model is and who the intended recipient, but most habitancy imagine Fransisco was romantically involved with the sitter. whether way, it would get the artist into much trouble. It even got him fired from a lucrative court position, as a ensue of the Spanish Inquisition deeming the painting obscene.

Later we continue to have scandals resulting from a repressed mass of people. This John Singer Sargent painting called "Madame X" was originally painted with one shoulder strap off and on her arm. Mothers cover your children's eyes, they'll be scarred for life! Sargent later had to repaint the strap in it's spoton position, to appease the prudish public.

In the nineteenth century, the "Father of American Painting" Thomas Eakins would be in hot water for removing the loincloth of a nude model in an art class. One of the girls right away told her parents of such a horrible thing, which would lead to Eakins' dismissal from professorship at the Pennsylvania Academy. Eakins wasn't ashamed of the naked human body and frequently shot many nude photos, even posing nude himself on the other end of the camera as well. His paintings sometimes had nudity in them as well.

Subtle Undertones?

Modern photography is rife with naked forms ranging from the sexually charged to the artistic erotica. modern advertisement also has subliminal sexual undertones for its psychological value, portraying habitancy in borderline explicit poses and gestures in an effort to maximize effectiveness. Sex sells!

Speaking of sex selling, the paintings of Rembrandt van Rijn have been known to consist of subliminal messages to reach the subconscious. The Dutch word for sex has been found in the underpaintings of some works written in large, barely descriptive letters. The painting of the Militia of Captain Cocq could perhaps have a deep subconscious image. The shadow of a hand on the other man's crotch? Captain who? Interesting.

Modern and modern Nudity

Painting in the modern day, especially at art schools involves the female nude for a range of reasons. Besides its classical and/or romantic value, the female body is ordinarily a good subject to paint for its curves and contours, giving the student indispensable custom in form and shape. One may say that community has come a long way since Fragonard's Swing painting. But at the same time it is not that probable that a painting of a school trainer skinny dipping with his students would be ordinarily accepted, at least not in modern America.

So times change, as well as views on sexuality, nudity, and the human body. Each community and culture has its own views, and inside each has subcultures with differing views and values, such as nudist camps. It also matters which part of the world you're from, as a nudist beach in France is more the norm than a nudist beach in New Jersey.

No matter what day and age, boys will be boys and seek the naked drawings in art books, erotically charged paintings will turn us on, subtle sexual undertones may touch our subconscious and we will all the time have nude paintings on our walls for anyone the perceived value.

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The railroad legacy of Portage, Pennslyvania

No.1 Article of A Map Of Pennsylvania

Located 20 miles east of Johnstown, in Pennsylvania's Allegheny Mountain region, Portage offers the visitor a behold into its compel past.

Developing, as a town, round the Allegheny Portage Railroad's Plane #2, it sprouted its first seed in 1826 when the Pennsylvania normal Assembly granted approval for the Board of Canal Commission to begin building of the Pennsylvania Canal, an integral component of the inter-modal, rail-and-water communication theory traversing the previously-impassable Allegheny Ridge section of the route between Philadelphia and Pittsburgh.

A Map Of Pennsylvania

Defined as "overland vehicle between bodies of water," "Portage" was implemented over a 36-mile, ten-plane, train-and-canal boat interchange, reducing the previous, 22-day journey to just six when it became operational in 1834, or three years after the first shovel had penetrated the dirt.

The railroad legacy of Portage, Pennslyvania

The town of Portage evolved with it. In 1837, for example, the Washington House Hotel opened its arms to weary passengers needing room during the journey.

Subjected, itself, to improvement, the Portage theory was acquired by the Pennsylvania compel business in 1848, and four years later, the original, horse-and-mule propulsive recipe was succeeded by locomotives, which now pulled the canal boats along the tracks. The New Portage compel became operational in 1855.

A handful of sights allows the visitor to re-glimpse this compel heritage.

Remnants of the Ny Tower, for instance, can be found west of the South compel hub dead end. Placed at Milepost 259.1, its third such position, and built in 1891, it rested on a cement foundation to elevate it to track level, overlooking the south side of the mainline, which itself associated with the Bens Creek branch here. The dual-level, wooden buildings sported three lower- and five upper-floor, track-facing windows.

The oddly-designated "Ny Tower," controlling, like all such facilities, a compel block, initially had jurisdiction between Wilmore at Milepost 261 and Cassandra at Milepost 256, but was later extended to Lilly when its own Ly Tower was eliminated in 1931.

Demand, originally meriting 24-hour occupation, soon waned, resulting in its progressive allowance until it was altogether discontinued with its mid-1960s closure.

Portage itself had once had three compel stations. The first, built in 1854 and Placed on Main Street, was demolished during the late-1880s when it was obviated by the new rail line, while the second, of wood, was Placed on Washington Avenue and used during the first quarter of the 20th century. The third, a two-floor, brick depot, constructed by John T. Gray and Son, rose from Lee road in 1926 and was used by the Pennsylvania compel for 28 years until declining passenger demand could no longer economically maintain the service.

Post-rail users included the Knights of Columbus and Stager Enterprises, which relegated it to a storage facility, but its gift application, as the Portage hub Museum, began in 1992 when the Portage Rotary Club donated artifacts from the Mainline Mining Museum, another important area industry, which had gained its first foothold as far back as 1868. Big Survey, which later became known as the Cambria Mining and Manufacturing Company, purchased land from the Earnest family and opened its first coal mine along Bens Creek in 1872.

A mural depicting Mountain Avenue during the 1920s appears on the building next to the museum.
Part of the patrimony Trail--a series of landmarks along the Allegheny Ridge which collectively offer a life-along-the-mainline theme-the Portage hub Museum is like a pocket of arrested-time, enabling the visitor to re-enter it and glean insight into its era by means of its architecture, artifacts, and exhibits.

Highlight of the museum is the traditional hub Master's Officer. Heart of the operation, it was the location of label purchasing, luggage processing, and freight shipping and receiving, and had been furnished with two desks, a safe, and a sink. On display today are a vintage adding machine, a typewriter, a telephone, a hand signal lamp, a compel lamp glass, train tickets, daily reports from 1954, and a wooden water bucket used by the Irish crews who laid the traditional rails.

Amid the first floor's waiting room, which features its traditional woodwork, wainscoting, and light fixtures, is a full, 20th-century kitchen and display cases with both temporary and permanent exhibits. From here, with tickets in hand, passengers would leave the deport, walk toward the arched, compel underpass, and then ascend its concrete steps to a covered, inter-track waiting room, which in case,granted boarding passage to both east- and west-bound trains.

The building's second floor, originally used as a fright storage area, now offers three main features: a reference section, a relief map of area mines, and a 173-quare-foot, "Miniature Mainline" Ho model compel layout designed by train enthusiast Charles Edwards and funded by the late Robert "Bing" James. Complicated train operations representing dissimilar time periods negotiate track, which passes the Portage hub building, penetrates the Gallitzin Tunnels, and arcs straight through the Horseshoe and Mule Shoe curves.

An outdoor viewing platform, level with today's elevated-and real-track, facilities passenger and freight train viewing.

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