What Kind of Pa system Should My Band Use?

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There comes a time in the early life of every band when person wants them to actually play somewhere. (Somewhere that isn't the drummer's basement, I mean.) Up until now, the singers have been using a microphone plugged into the keyboard amp, but is that going to be sufficient when we play at a bistro (or a barn, or a patio)? The truth dawns: we need a Pa theory for the vocals. But what kind?

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There are any factors you need to think and a number of pitfalls you must avoid. I'll just hit the high points here, outlining the key decisions you and your band need to make to be sure you get the right theory for your hard-earned cash. Since I've only worked extensively with a concentrate of systems myself, I won't advise exact brands or models here. But I'll give you some points to ponder as you sort through the available systems.

1. Powered mixer or isolate components?

The very first thing to decree is either to use an all-in-one Pa theory or isolate components. An all-in-one unit, also called a "powered mixer," contains a mixer (usually 8 channels), a power amplifier (two channels, for the main and monitor speakers), and perhaps some basic effects like reverb and delay.

If this is your band's very first Pa system, you should probably get this kind of unit, especially if you don't have a sound man for your band. An all-in-one unit is easy to set up, needing only Ac power, microphones, and speaker connections and it's ready to go! You can put it at the side of the stage and have easy passage to its controls, together with the all-important monitor levels.

A component theory with isolate mixer, power amplifier, and effects units takes a lot longer to set up and get going at a gig, although it does offer some additional flexibility. If you have person to set up and control the Pa for you, a component theory could work. Otherwise, I'd keep it straightforward and go with the all-in-one.

2. How much power?

The power level you need from the Pa theory depends on the size of the venues you expect to play in as well as the kind of music you play. (An acoustic band with no drummer needs less Pa power than a headbanging metal outfit.) another notice is either you plan to run only vocals, or vocals plus definite instruments, through the Pa. Putting bass guitar (even a little) through the Pa to augment the onstage amp actually eats up the power!

The fact is, you should buy the highest-power theory you can perhaps afford. You are just about guaranteed to need more power than you think you will. Then throw in the additional fact that the power ratings for these systems are more marketing numbers than engineering numbers and are often misleading... The lowest line: I never heard of a band seeing back and saying they wish they'd bought a smaller Pa system!

3. How many speakers?

I would advise two main speakers and two monitor speakers. Even in a small venue, you actually need left and right main speakers to properly distribute balanced sound throughout the room. (When I say left and right I am not talking about a stereo setup - the signal is the same in both speakers.) With two speakers, you reduce the number of listeners who are closer to the amps than to a Pa speaker, and thus can't hear the vocals.

You might be tempted to skimp on monitor speakers and make do with only one. This might be Ok if there is only one vocalist, but instrument players also advantage from hearing themselves and other players properly. Having two monitor speakers should allow everyone to be somewhere near at least one of them!

4. What about microphones and other accessories?

Unless you have something else on hand, I would pick up a trusty Shure Sm58 for each vocalist. You will probably not need to mike the drums. In fact, you should avoid using microphones for whatever other than vocals if at all possible, as each microphone onstage is a show-stopping feedback howl waiting to happen!

If you are going to run instruments through the Pa, use direct boxes between each instrument - guitar, bass, keyboard - and its onstage amp to send part of the signal to the Pa mixer. If there is an acoustic guitar, use the signal from its pickup in lieu of miking it. If it doesn't have a built-in pickup, you might try an add-on type, although this may not have the sound ability you need. Fortunately, most acoustics seem to have built-in pickups these days.

You will also need microphone cables, main and monitor speaker cables, and perhaps a snake (a multi-core cable allowing you to run eight or more signals between the stage and the Pa mixer).

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